Six Months of Open Mic

I've just recently surpassed the six month mark of doing open mic stand up comedy. When I started back in March, I told myself that I just wanted to give it a shot, and do it consistently for at least six months. Well, here I am, and in danger of being too immodest, I'm doing a lot better at it than I imagined. My delivery has improved ten fold, and my confidence on stage has really started to shine through. 

I think my greatest asset has been recording my shows (typically just audio) and reviewing them relentlessly. If something doesn't work, I typically blame it on my delivery and not on the crowd. For a while, if something didn't work, I would comment afterwords on how the crowd just wasn't into it. However, as I've done this more and more, I've brought the worst crowds out of a funk and had them laughing again, so I now try to avoid that excuse. Instead, I just meticulously go over my material, picking it apart and trying out new premises, punchlines, and transitions. 

I'm still making plenty of rookie mistakes, and my jokes still sometimes fall flat on their face the first time I tell them, but it happens less and less. I'm still learning and improving each time I go up, and soon, I think I will have moved up from noobie to novice. 

My Obama Set

So, although I've still been doing my weekly set at the Brainwash, I've neglected blogging these past couple weeks so that I could devote more attention to the fact that our country is asserting it's will to progress past these hellish 8 years that we've (surprisingly) endured.

Recently, I have been toying with the idea of doing my 5 minute sets on a single topic. If you look at your comedy albums (we all have a few, don't we?), they are broken up like a music album: 5-10 minute chunks, all with a clever name that alludes to either the premise or the punchline. Very rarely will you ever see an hour-long show filled with one liners or single laugh jokes. Instead, they are crafted stories that have many punchlines, ideally stacking one laugh on top of another until the crowd is rolling in their seats.

This is tough to do. Really tough. Especially for a short set, since if the joke isn't going the way you want it to, it's that much harder to bail and get to the next one. Nonetheless, open mics are made for screwing up and learning, so I've been pushing forward in acquiring this necessary skill. My set last Thursday was, easily enough, all Obama. Having one main topic made transitions easy and seamless, and there was plenty of material to go around.

It came off well, and I would say that I got as many laughs as I normally do so I was pretty happy with the experience. I probably won't do that every week, though. The thing I'm most afraid of is having too many jokes that seem forced because I'm constraining the subject matter. Instead, I'm looking through my current jokes and trying to group them together when I can. I then try to jot down a few more ideas, funny or not, that relate to it and see if anything comes to mind. It's going okay, but I've also been trying to evolve and improve my best material. I've managed to combine the two activities by taking my best jokes, partnering them with related jokes, and hoping that a couple of great ones will help carry the rest. We'll see how that goes.

Back in the Mix

So, I recently tried entering the Butterfinger Comedy Showdown, with no success. Granted, I'm new at this and really shouldn't have the audicity to think that I could already win comedy competitions, however this one was different. This one was poorly marketed. It was only open to submissions for a month, and by week two there was still only one submission... and it sucked. The caveat for the submission was that it had to somehow reference Butterfinger, but according to the rules, it couldn't mention any other brands... or any people, real or fake... or insult anyone... or be more than a minute long. 

With my hands tied, I tried to give it a shot since the prize was a trip to LA for an appearance at the Comedy Store, where you competed with one other winner for a spot at the Just For Laughs festival in Montreal, which is huge. In any case, you can see my video submissions here and here. Granted, not my best work, and it didn't help that you could hear the cook in the background and that this was an absolutely dead night at the BrainWash, no one was laughing at anyone. It was painful, and I felt a little like a corporate sell out whore, but I still think I did better than a few people that made it into the top five, namely, the stupid bitch listed under elham.jazab. I'm not sure if she was picked for demographics or what, but she really did suck.

In any case, I then went on a vacation for a little over a week, and so bottom line was that I hadn't told any good new material for a few weeks. I went up last Thursday, however, and killed, so I'm pretty glad to not be doing comedy for anyone but me once again. This upcoming Monday I have another part in the Club Deluxe showcase, which I'm very excited about. Last time I appeared, I literally brought over 20 people, which was pretty substantial considering that this was the first time I had been up there and that there were only a little less than 30 people in the entire place. Nonetheless, as I've noted, I was less than ecstatic over my last performance, so this one I'm bringing my A-game. I'm only bringing stuff that I've tested a few times before and on which my timing is about as good as it's going to get. We'll see how it goes, wish me luck.

Slow the Hell Down

So I don't know if you've noticed from my videos, but I need to slow my delivery the hell down. I've gotten a million times better than when I started, but I still need to just take a breather and chill the hell out when I'm up there, and I need to do it in two ways. 

First and foremost, I need to give people time to laugh. If there's one lesson I'm learing over and over, it's that people won't laugh out loud if you're already halfway into your next joke. It's almost as a courtesy; they want to hear what you have to say next. On top of that, if you really lean into a pause, it not only gives people the chance to laugh, it also cues them to start laughing. 

Secondly, I need to slow down my rate of speech. I've always had a problem with this, and it's only amplified on stage. If it's not keeping people from understanding me, it's definitely keeping people from following a story. The faster I talk, the more people focus on the overall concept and less on the details. But the damn joke is in the details! 

I've been given all sorts of techniques for how to do this, but the problem is not just actually speaking slower. I've done public speaking for quite some time, and when I'm in front of a podium my words come out measured and clear. However, I'm not expecting a response until the end of my speech, and it's not likely that people simply won't applause. 

On the other hand, when I'm on stage doing comedy, naked and hiding behind a mic stand, I'm expected to make people laugh, loud and often. If you go more than 30 seconds without getting a laugh you start to wonder if people are still with you. If you're at a minute with no laughs, you better hope you've got a hell of a reward at the end of the long road you're taking your audience down. This sort of pressure can make me rush through jokes, and if I don't get a laugh, I start getting a little nervous which will make me go faster.

To get better at balancing this, I'm practicing my bit more before going on stage, and I practice pausing where I expect people to laugh. I can practically hear the laugh track in my head, and I keep that rythm on stage. Even if people don't take my cue, I look like I'm just having fun, and am totally confident in myself, whether they laugh or not. Projecting that type of image allows me and my audience to enjoy myself more. 

Sports, Blacking Out, Tupperware, Beard, Muni

This was my performance at Club Deluxe on September 1st. It was an open mic competition of sorts, not one that gave away money, but the "winners" would be asked back to be a part of future comedy showcases. They hold a 1 hour showcase every Monday night at 9pm right before the headlining comedian, and then do a true open mic after the headliner.

Sure enough, my performance was good enough to be asked back! I'm actually going back on stage next Monday, the 22nd. Sal Calanni is the headliner, and it's a $5 cover (though I'm pretty sure the showcase comedians don't get paid), but I'm just excited to have an attentive audience who actually has to pay to see me!

You'll see that I repeated the sports joke from the last video I posted, but I tried to slow it down and milk the timing a little better. I only brought material that I had tried out before, but I hadn't done any of these jokes for a month before, so they had some time to marinate. I'm sure I'll do a post soon on people who repeat their jokes too often, but suffice to say that I wasn't going to take a chance on brand new material on this night.

All five jokes seemed to go over really well. It's amazing to see the difference in audience reaction when you have a group of people who are actually listening to you. I really felt good after this performance, and I learned a lot from it. I'm sure I'll post a video of my upcoming performance, and we'll see if I was actually able to do some things better next time. Any thoughts you might have on the delivery or content would be appreciated.

Open Mic Comedy in San Francisco

This isn't the first list of San Francisco Open Mic venues out there, but it's up-to-date, which is more than you can say about most of the lists you'll find. Also, this will be San Francisco only. If you want to know about Open Mic elsewhere, then start your own damn blog.

ps. I'm only listing the one's I've been to, or know are legit. Please leave a comment if you know of one that is definitely going on as of Fall '08.

MONDAY

Club Deluxe
Comedy Showcase until 11, open mic afterwards

1511 Haight St (at Ashbury)

(415) 829-7061

Host: Al Gonzales

Sea Biscuit Cafe
Time unknown
3815 Noriega Street (at 45th Ave)
(415) 661-3784

Host: Sal Calanni

TUESDAY

Annie's Social Club

7-9 (SIGN-UP 6:30)
917 Folsom Street (at 5th St)

(415) 974-1585

Hosts: Jeff Cleary & Chad Lehrman

Grant & Green

10pm

1371 Grant Ave (at Green)

(415) 693-9565

Host: Ben Feldman

THURSDAY

BrainWash Cafe & Laundromat

7-Whenever (Sign up at 6:30 )
1122 Folsom (at 7th St)

(415) 861-3663

Host: Tony Sparks

The Usual Suspects Cafe
7pm-8pm
450 Broadway St (at Montgomery)
(415) 641-1717
Host: Danny Dechi

FRIDAY

The Usual Suspects Cafe
7pm-8pm
450 Broadway St (at Montgomery)
(415) 641-1717
Host: Danny Dechi

SATURDAY

Café International

Comedy Showcase 4th Saturday of the month
508 Haight St (@ Fillmore)

(415) 552-7390

Farley's Coffee
Second Saturday of every month, 7:15pm
1315 18th St. (at Texas)
Host: Liz Grant

The Usual Suspects Cafe
7pm-8pm
450 Broadway St (at Montgomery)
(415) 641-1717
Host: Danny Dechi

SUNDAY
Punchline Comedy Club

8pm

444 Battery St (at Clay)

(415) 397-7573

If you live outside of San Francisco, you can try to weed through the lists provided by www.SFStandup.com and www.BayAreaOpenMics.com. If you don't live in San Francisco, then why did you read through this entire post?

iPods, Sports, Tooth Fairy, Pennies

I did this routine on July 24th, 2008. My friend with the camera, unfortunately, had to sit toward the back of the cafe, so half of the video I'm blocked out of view by people standing in line at the cafe. This gives a pretty good sense, if nothing else, of the things you have to put up with at the BrainWash. Often, you can barely hear me over the rumble of the 'audience.'

Although you can hear the laughter of the audience in the back, I actually couldn't hear it up front so couldn't respond to the timing. From what I was seeing on stage, I was bombing. There was an elderly couple right in front of me that I lost right around the time I mentioned Christianity, and they just frowned at me the rest of the time. The lady in the corner to the left of the screen was crazy and laughed obnoxiously loud at seemingly random points throughout the night. She appears to be uninterested in what I had to say.

Since I was getting no love from the front of the room and couldn't hear anyone in the back, I was sure it was going horribly. In retrospect, it was probably my best performance to date, which was too bad because I was psyching myself out with the lack of laughter, and got a little nervous toward the end. But that's open mic. Plow through it first, analyze it later. Let me know what you think!