Hecklers

For anyone who doesn't realize it, I just want to set the record straight. Unless they ask a question directly to you, anyone who talks during a comedian's set is a heckler. It doesn't matter what the person says, it's a heckle. Even if you think you're helping, you're not. And this is what gets me, is that people actually feel like they can just shout something at someone on stage. No one would heckle an actor in a play, or a speaker doing a speech, so why do people feel entitled to say something to a comedian? 

I haven't gotten heckled on stage. The BrainWash has an unspoken rule that, no matter how bad the comedian, nobody heckles. Now, the problem with the BrainWash is that people will still carry on and talk as if no one is on stage, but that's just an open mic, and you have to deal with it. However, in all the time I've been there, I've only heard someone make an audible comment about the comedian while on stage once or twice, which is impressive considering how bad they can be. 

The reason I was thinking about it was because a comedian I was supposed to see at the Punchline (John Caparulo) ended up cancelling. Instead of calling off the night, they brought on a fairly well known local comedian who I had been intending to see, but hadn't made the effort yet. His name is Joe Klocek. When I went onto YouTube to check him out, this was the first video I found: "Heckler vs. Comedian Joe Klocek"

It was the most brilliant handling of a heckler that I've ever seen. It was a tremendously dangerous move, but executed flawlessly. I then continued to watch about 2 hours of comedians dealing with hecklers, some more successful than others. What I found was that the best scenario is to respond directly and cruelly to the heckler with a couple of comments. One comment isn't usually effective enough, and if handled well, it becomes a joke and should be drawn out for a few lines. However, too much attention and you risk getting completely off track. I've been taking a few notes on the ones I particularly like, but I get the feeling that it's one of those abilities that, unfortunately, only come with practice.

ps. Joe was brilliant, and it's apparently his style to do a lot of crowd interaction. I highly recommend seeing him if you get the chance.

Six Months of Open Mic

I've just recently surpassed the six month mark of doing open mic stand up comedy. When I started back in March, I told myself that I just wanted to give it a shot, and do it consistently for at least six months. Well, here I am, and in danger of being too immodest, I'm doing a lot better at it than I imagined. My delivery has improved ten fold, and my confidence on stage has really started to shine through. 

I think my greatest asset has been recording my shows (typically just audio) and reviewing them relentlessly. If something doesn't work, I typically blame it on my delivery and not on the crowd. For a while, if something didn't work, I would comment afterwords on how the crowd just wasn't into it. However, as I've done this more and more, I've brought the worst crowds out of a funk and had them laughing again, so I now try to avoid that excuse. Instead, I just meticulously go over my material, picking it apart and trying out new premises, punchlines, and transitions. 

I'm still making plenty of rookie mistakes, and my jokes still sometimes fall flat on their face the first time I tell them, but it happens less and less. I'm still learning and improving each time I go up, and soon, I think I will have moved up from noobie to novice. 

My Obama Set

So, although I've still been doing my weekly set at the Brainwash, I've neglected blogging these past couple weeks so that I could devote more attention to the fact that our country is asserting it's will to progress past these hellish 8 years that we've (surprisingly) endured.

Recently, I have been toying with the idea of doing my 5 minute sets on a single topic. If you look at your comedy albums (we all have a few, don't we?), they are broken up like a music album: 5-10 minute chunks, all with a clever name that alludes to either the premise or the punchline. Very rarely will you ever see an hour-long show filled with one liners or single laugh jokes. Instead, they are crafted stories that have many punchlines, ideally stacking one laugh on top of another until the crowd is rolling in their seats.

This is tough to do. Really tough. Especially for a short set, since if the joke isn't going the way you want it to, it's that much harder to bail and get to the next one. Nonetheless, open mics are made for screwing up and learning, so I've been pushing forward in acquiring this necessary skill. My set last Thursday was, easily enough, all Obama. Having one main topic made transitions easy and seamless, and there was plenty of material to go around.

It came off well, and I would say that I got as many laughs as I normally do so I was pretty happy with the experience. I probably won't do that every week, though. The thing I'm most afraid of is having too many jokes that seem forced because I'm constraining the subject matter. Instead, I'm looking through my current jokes and trying to group them together when I can. I then try to jot down a few more ideas, funny or not, that relate to it and see if anything comes to mind. It's going okay, but I've also been trying to evolve and improve my best material. I've managed to combine the two activities by taking my best jokes, partnering them with related jokes, and hoping that a couple of great ones will help carry the rest. We'll see how that goes.